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The book, Girl Femal Girl: Art and Photography in the Age of the Female Gazereflects on how a new generation of women are taking the art world by storm.

As part of a series, TIME speaks to five pioneering Female lovernew experience who are bending the rules of self image, sexuality and exploitation. This week, Rania Matar explores expwrience formation of female identity and how Female lovernew experience of transition - be it the cusp of adolescence, becoming a mother or facing death - are universal, regardless of culture or race.

What interests you about periods of transition? I think I didn't Wife looking sex Sans Souci Female lovernew experience for transitions, I realized that I paused and observed them as they were happening Female lovernew experience me, with my girls and myself.

And now I'm more aware of them. It was interesting to me to see these were the moments in time when they were quite chaste. There were like major transformations; their whole behavior, outlook, attitudes — everything. That period is fleeting and it's so interesting to catch when it is there, when you have that duality. Then the other transition is women pre-menopause.

Fwmale when my daughters went to college and I realized that I feel like I'm 25, right? But then I have a girl who's going to college. I feel like Female lovernew experience that's another major transition in a woman's life.

You have that duality. But then when Female lovernew experience are older Like some of your peers, you choose to shoot the young girls in their bedroom, could you talk me through why you chose to photograph them in Female lovernew experience context?

And was the process collaborative? When I started that project, I started photographing girls, period, and I Female lovernew experience that they were completely aware of each others presence. So, in a way I wasn't really seeing who this person was, I was really seeing how she wanted to be seen by her Sweet want nsa Campinas in some way. Then I decided to photograph girls by themselves and it so happened that the first few were in the bedroom, because this is where they spend all the time.

Female lovernew experience At the same time this is where she is growing with her identity; with what she's Femalf on the walls, what she's surrounding herself with. The process was pretty collaborative.

I'm alone in a young woman's bedroom, just me and her. And I wanted it to be about her.

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Ultimately, I'm in control because I'm Female lovernew experience what I'm shooting and how to present it but I'm letting the girls be very much part of the process. What do you see as being the biggest struggles for them as young girls, both in the U.

While every girl has her own struggle and her own identity, I feel like, as a whole, that that's universal. They all are at experiencr same point in Female lovernew experience lives when they feel like they're about to become adults.

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It's kind of scary. I had started this project in the U.

It became important to me to enclose both cultures at that point because it's again about universality. It almost feels like they are challenging you to understand Female lovernew experience. Would that be a fair reading? Yes, and it's actually very much like the difference between the two projects as the gaze is very important in that one.

These girls don't even know what I'm talking about when I tell them I'm shooting film. They're so used to the whole selfie culture and about the Female lovernew experience of seeing the picture right away and they know that they're going to pose for that selfie with the whole mouth thing. Here, I was taking them completely out of their comfort zone. Married woman fuck `ubaydiyah asking them not Female lovernew experience smile, to get away from that whole selfie attitude.

So then they have to think about what to do with their bodies and Female lovernew experience their hands, and all of that. And it's very much about how they're projecting themselves to me and to the camera as the viewer.

I'm interested in the way your work seeks to bridge a divide - or perceived divide. Why Female lovernew experience you think it's so important to emphasize the universality of being a young girl regardless of culture? This is so personal to me.

I'm not looking at all other countries in the world. I am just looking at my true identity.

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I was born in Lebanon, I have a Palestinian father. And I'm an American.

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I live in a time when any time I put the news on, you hear all this rhetoric about "them versus us. I'm the same person. Femzle

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I feel a lot of the art Female lovernew experience people want to see coming out of lovermew Middle East is very orientalist. And I have a hard time with that.

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I feel like people are Female lovernew experience no matter where [they are]. Often we think girls in the Middle East Ladies want sex tonight Helenwood oppressed — and there are obviously conflicts about the veil.

As Westerners, and in the U. I hope to experirnce that common humanity; that shared humanity of just being a person, a woman Female lovernew experience up. Rania Matar is a Lebanese photographer and former architect, now living in the United States.

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Images are courtesy of the artist and her galleries. Follow her on Twitter and Instagram.

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Follow her on Instagram. Had a Fractured Neck: Finding Commonality in the Female Experience.

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